10 of the world’s creepiest paintings

10 of the world’s creepiest paintings

Halloween is just around the corner and in honor of what’s arguably the world’s spookiest holiday, we thought we’d take a look at some of the world’s creepiest paintings.

What I love about art is that I don’t need to be an expert to enjoy it–I only have to know how it makes me feel. Art can move, inspire, elate, unsettle and even, yes, terrify. In fact, some of the creepiest paintings out there can terrify on a level a much deeper than the ghoulish fright depicted on the surface. So, in honor of Halloween–one of Musement’s favorite holidays!–, here’s a look at ten of the world’s creepiest paintings.

1. Picture of Dorian Gray by Ivan Albright, 1943

The story of a man who sells his soul to keep his youth and beauty, Oscar Wilde’s “The Picture of Dorian Gray” (one of my favorite books of all time!) encompasses the themes of morality and macabre, serving as somewhat of a cautionary tale.  Gray adopts a libertine lifestyle and while age and time never alter his physical appearance,  his portrait ages and rots to reflect how ugly and corrupt he grows inside. Macabre artist Ivan Albright’s “Picture of Dorian Gray” painting actually appeared in the 1945 film adaptation.
Where: The Art Institute of Chicago

2. The Scream by Edvard Munch, 1893

Once upon a time, the mere sight of this painting would have made my teenage stomach churn.   The figure depicted served as the inspiration for the serial killer’s–or killers’?–mask in the “Scream” horror movies of the 1990s. However, Munch’s “The Scream” prompts a deeper level of uneasiness in the sophisticated grownup I am now. The figure stands on a dock, mouth agape and hands clutching the face, a perfect personification of that feeling of trying to cope with the angst and anxiety that comes with adulthood and life in general. Definitely not a comfortable place for one’s emotions.
Where: The Munch Museum in Oslo

3. The Ambassadors by Hans Holbein the Younger, 1533

I remember quite vividly the first time I ever saw this painting as part of a museum visit for an art history class.  At first glance, it seems like an extraordinary depiction of an ordinary scene: two ambassadors. Wait, what’s that blurred object at the bottom? Well, the painting must be viewed from the right to see the anamorphic images transform into a skull, a “memento mori”, to serve as a reminder of our own mortality. (See the video after the painting.) My skin bristling with goosebumps as the professor explained all the details as the painting is, in fact, filled with intriguing symbolism. I won’t get into all the details, but notice the broken lute string? Jesus on the top left?
Where: The National Gallery in London

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THE AMBASSADORS| 💀 Artist: Hans Holbein the Younger Origin: #British #Tudor Series: #mementomori . German-born artist Holbein spent most of his life in England. This work was created in the country, in the same year as the birth of Elizabeth I. While showing immense technical prowess in a double-portrait, this work is most famous for the #anamorphosis skull awkwardly placed against the painting’s bottom-half. This distortion of perspective allows the skull to be viewed properly by a viewer standing at either side of the piece, but never directly. The juxtaposition of memento mori with scientific instruments makes for an apparent attempt at humbling society as inventions seek to rapidly evolve humanity. In displaying the advancing systems of society with Holbein’s skull, symbols associated with organized religion and established governments are reduced to the status of, essentially, arbitrary systems in the face of the force of death. Why an #anamorphic skull? Rumor has it that the work was intended to be placed along a staircase. . . . #ITAOLDP #holbein #portrait #art #arthistory #painting #death #dying #faith #religion #morbid #morbidity #human #humanity #london #unitedkingdom

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4. Skull of a Skeleton with Burning Cigarette by Van Gogh, 1885 – 1886

One of Van Gogh’s earliest works, the painting was initially supposed to be humorous. However, it strikes a completely different, more relevant cord today as it could easily be part of an anti-smoking campaign. This foreshadowing of sorts is creepy enough in and of itself.
Where: Van Gogh Museum, Amsterdam

5. The Face of War by Salvador Dali, 1940

Keeping in line with the skull theme, the surreal master’s take on war is an image that hits hard. Sadly, war is pretty much as old as humanity so while war tactics might change, the devastation it imparts is timeless, and Dali captures it quite hauntingly in this painting.
Where: Museum Boijmans Van Beuningen, Rotterdam

6. Saturn Devouring his Son by Goya, 1819–1823

Once upon a time, a prophecy foretold that the Titan Saturn (Cronus to the Greeks) would be overthrown by one of his children. To prevent his forthcoming doom, Saturn tried to commit filicide via cannibalism. However, his immortal children grew inside him and he eventually barfed them up. And yes, they eventually overthrew him thanks to their brother Zeus. A man eating a child? Gruesome on so many levels.
Where: The Prado Museum in Madrid

7. Medusa by Caravaggio, 1597

A woman with a gaze that can turn one to stone: sounds like an old wive’s tale. However, Medusa isn’t a human woman but rather a gorgon, a mythical creature with snakes instead of hair who, if looked directly in the eyes, can turn one to stone on the spot. Perseus managed to outwit her by letting her catch a glimpse of her own reflection in a sword. He then beheaded her corpse and brought her head back to Polydectes, but not before saving Andromeda from a sea monster. Caravaggio captures this with his unmistakable flair that can be found in some of his most famous paintings.
Where: The Uffizi Gallery in Florence

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#Sguardidalmondo ci offre una prospettiva diversa e multiculturale sulle opere delle Gallerie degli #Uffizi: Aicha dall’Algeria ha posato il suo sguardo sulla #Medusa di #Caravaggio: “I serpenti… il volto spaventato… mi fanno pensare a una storia che si racconta ai bambini per spiegare cos’è la morte, un tema sul quale l’uomo si interroga da sempre. Secondo l’escatologia islamica, infatti, dopo la morte una persona entra in una fase intermedia, in attesa del giorno del Giudizio. La vita nella tomba rispecchierà la sua condotta in vita. Chi ha avuto una vita secondo virtù si troverà in una tomba ampia, profumata, con un amico accanto che gli tiene compagnia. Al contrario, chi ha avuto una condotta immorale si troverà in una tomba scura, fredda, piena di serpenti”. 🌎E N G #Viewsfromaroundtheworld offers a different perspective of Uffizi Galleries’ works, told through the gaze of people coming from various countries of the world, with different cultural backgrounds. Here follows the ‘view’ of Aisha from Algeria: “The snakes…the scared face… These features remind me of a story used to explain death to our children. A challenging topic for man anytime. According to the Islamic eschatology, people after death enter into a transition period waiting for the day of Judgment. Life in the grave reflects one’s behaviour in life. Those who had good behaviour in life, will be in a large and scented grave together with a friend. Otherwise, who had a bad behaviour in life will be in a dark and cold tomb, surrounded by snakes.”

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8. Hell by Hans Memling, 1485

So, here’s the thing. I’m a former Catholic school girl who is currently a lapsed Catholic. Among the church’s many teachings embedded in my brain is a little voice that tells me that since I no longer practice,  I am committing a mortal sin and therefore hell awaits me. Needless to say, I see this painting and it terrifies me. And I’m sure it has the same effect on other recovering Catholic school students out there as well.
Where: Musée des Beaux-Arts, Strasbourg

9. Study of the Heads of Torture Victims by Théodore Géricault, 1814

This painting gives me the heebee-jeebies as it brings to mind the “Criminal Minds” episode in which a serial killer decides to dole out punishment to those he considers immoral. If I remember correctly, the unsub was a non-recovering Catholic school student.
Where: Musée des Beaux-Arts,  Rouen

10. The Judgment of Cambyses by Gerard David, 1498/1499

This painting is so grim that I flinch, close my eyes, and then can’t even look it. It depicts the flaying of corrupt Persian judge Sisamnes, who was sentenced to death under the work’s titular emperor. This is one of the most morbid paintings I have ever seen. It looks like the scene of a gory period film. “Game of Thrones” hasn’t even gone here…yet.
Where: Groeninge Museum, Bruges

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'El despellejamiento de Sisamnes', Gérard David, óleo, pintura flamenca. Ante nosotros observamos una obra del pintor flamenco/gótico Gérard David, popular en la época debido a la brillantez de los colores que dotaban sus cuadros. Este cuadro representa una historia que tuvo lugar en el S.VI AEC, que se completa junto a otro lienzo, ambos pintados en el mismo año, 1498, y por el mismo pintor. Según Heródoto (historiador y geógrafo griego del 425 a.C), Sisamnes fue un juez real, corrupto, del reinado de Cambises II de Persia. Se cuenta que aceptó un soborno y dictó una sentencia injusta, el rey actúo y mandó que le despellejaran vivo. La piel la utilizaron para tapizar la silla donde dictaba justicia, ya que su hijo, Ótanes, era el nuevo juez y la piel de su padre le recordaría que debía de ser justo. . En el lienzo podemos ver la escena anteriormente comentada. Los colores, como era común en el estilo del pintor, brillan, lo que le da una mayor atracción. El estilo es flamenco: con las proporciones bien marcadas, el detalle en todo con la intención de representar el realismo (el detalle de la pierna izquierda despellejada) y la importancia dada al paisaje. #eldespellejamientodesisamnes #sisamnes #flamenco #arte #gerardavid #pintores #paintings #thisisart #groeninge . Bibliografía foto:

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